#Networking Content

[smalltofedsblog]

Content May Be King, But Growing An Audience Is The Ace

Marketing guru Mark Amtower offers the keys to getting potential customers and partners to notice you and your content.

[myshunosun]

Pam Living

Hey! I'm wrapping up 2024 with Pam Living, a contemporary living room set that includes new seating items, plus a matching coffee table. I'm super proud of the seating's faux leather texture. The swatches are inspired by the Industrial Loft Kit items, but they are not a 100% match.

You can read more about the items and check out the in-game preview below.

Download (always free on Patreon) / Follow and support me

Here's what you get:

Sofa, 10 swatches, 750§

Loveseat, 10 swatches, 375§

Living chair, 10 swatches, 300§

Coffee table, 8 swatches, 220§

More info and credits:

Base game compatible

New meshes, all LODs

Custom specular and normal maps

Custom catalog thumbnails, tagged swatches

Have fun! You can search for “pam" or “myshunosun” in the buy catalog to quickly find these items.

Follow and support me: Tumblr / Patreon / Instagram / Bluesky / Creator code

[seasononesam]

what does the CW even stand for.......

[teenmaximoff]

The cut truck scene was 20 minutes of Buck blowing Tommy.

[wiltenjoyer]

🎈 New Year's Eve at Foster's 🎉

(full comic under the cut)

[cowplant-pizza]

uploaded a mysims video tonight! 💫💖✨

thank you to ea for the free codes!

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[idontmindifuforgetme]

I’m happy for the little life I built for myself

[zerothisnero]

*leans on the wall with a smirk* heh….Abel jadusable arg am I right guys? Heh….*shrivels up and dies from lack of Abel content as the B.E.N and Matt fans eat like royalty*

[voyager-99]

[[ please don’t repost my art, specially without my consent!!! ]]

More Ghoul for the few enjoyers out there (PLEASE EXIST, I KNOW THERE’S GOTTA BE AT LEAST ONE OTHER GHOUL ENJOYER)

If you have any ideas for me to draw Ghoul please don’t be shy to just drop them in my askbox!!!

[stardestroyer81]

🥪 Introducing... Door2Door! 🥪

Door2Door stars twenty year old possum Gigi Dempster, who lives in a rather ramshackle, podunk town in Vermont called Bendersville. After sending numerous job applications all over town with no word back, she finally lands herself a delivery driver position at an unassuming locally-owned sandwich restaurant named Dine 'n Dash. With no prior experience in the art of crafting a mighty fine sandwich or running a delivery route, Gigi is strapped in to experience the whirlwind of a first time food service job firsthand, and in an unpredictable town like Bendersville, quite literally anything can happen.

(For more information on what Door2Door is— as well as a handful of progress images— please consider checking underneath the cut!)

At last, witness unveiling of my latest project I've spent the last month conceptualizing, Door2Door! What once came about as a silly idea of basing a project after an inner-city delivery driver inspired after a certain gameplay section in Spongebob Squarepants: Revenge of the Flying Dutchman, it has since blossomed into one of my dearest passion projects yet!

Though, before I get into any further detail behind Door2Door and its creation, I must stress— none of the above five images hail from a lost late nineties/early 2000s Cartoon Network show, and if by chance any of them were enough to fool you into thinking they were, then that just means I achieved what I set out for! 💙✨

Now, about a month ago, I'd been watching a retrospective on the critically un-acclaimed Spongebob Squarepants: Revenge of the Flying Dutchman, a game I had growing up. It's important for me to mention that I had seen and personally played the aforementioned gameplay section before, though for some reason seeing it again struck me with a brilliant project idea.

Anyone who's been following me for at least a year knows that I've designed a cavalcade of candied characters for my own arcade game concept, Rascal, and initially my idea for Door2Door— which I also called Project JJ (In reference to the sandwich chain Jimmy John's)— was to give it a plot simple enough to translate into an arcade game.

The idea was that you played as a plucky delivery driver who rides through the streets of a seedy city to deliver a food order to the... er, order-ee. But your progress would be impeded by a fiendish gang of mobster alley cats who are after your sandwiches, so there would have definitely been a large cartoony element to the gameplay loop.

I drew concept art for Door2Door's protagonist, then known as Marcy, though I really wasn't vibing with either drawing. For one, making the protagonist a cat seemed a bit overdone, and I already have a cat character who's name rhymes with Marcy, so that had to go. More so, I also couldn't settle on a good spriting style, which prompted me to rethink the whole project.

Well, there is a general aura of cartooniness to Door2Door, I thought, why not just embrace that vibe whole-heartedly and reshape the project into a long-lost late nineties cartoon?

I did like the idea of having an excuse to drawing more animation cels, though if I was going to make Door2Door into something resembling a cel-animated cartoon, I was prepared to go the full distance in nailing that aesthetic, in the form of how characters are designed and the way I go about drawing each screenshot.

For those unfamiliar with cel animation, essentially it can be described as a traditional form of animation and involves objects— usually characters— being hand-inked and painted on clear celluloid sheets and placed over painted backgrounds.

Above, I've provided a visual for what a standalone 'cel' from Door2Door would look like, coupled with a hand-painted background. When overlaid on top of one another...

... you would get this! This is exactly how cartoons were animated up until the era of digital inking and coloring... but that begs the question. How am I achieving a hand-drawn and painted aesthetic if everything I've shown so far has been drawn digitally?

I have my ways! It involves a lot of studying how individual cels of animation look, and taking note of recurring hallmarks; grainy textures, paint blemishes, drop shadows, etc. Above, I've assembled a small gif of my process in composing a screenshot for Door2Door, from lineart to final product!

So, that all should loosely explain it; Door2Door is what would happen if I were in charge of a late nineties Cartoon Network show, and what you've seen here is merely the beginning. Going forward, I will be posting art of Door2Door's main cast with some additional character information and concept art for each one, though for the time being, enjoy all five art pieces I've supplied for this post— they are perhaps the biggest works of mine yet this year! 💙🏳️‍⚧️✨

[myshunosun]

Face Bits: Maxis Match Moles + Eyelids

I've been postponing releasing these for way too long. Face Bits includes new Maxis Match eyelids and moles. Read more about the set files below. Enjoy!

Download (always free on Patreon) / Follow and support me

Moles:

Category: right cheek mole

All genders and ages

12 swatches

Custom catalog thumbnail

Not allowed for random

Eyelids:

Category: mouth crease

All genders and ages

9 swatches

Custom catalog thumbnail

Not allowed for random

Custom content in the previews: eyebrows, default skin, default eyes, eyelashes

@maxismatchccworld @s4library @public-ccfinds @mmfinds @sssvitlanz

[dumplinsiims]

Cozy Autumn Mod Recommendations 🍂

- Gameplay mods:

Pumpkin Patch Lot Trait by simwithshan

"Me Time" Calendar Traditions by simwithshan

Brand New Bedsheets by llazyneiph

Make The Bed Mod by utopya_cc

Self Pedicure by mercuryfoam

Self Manicure by mercuryfoam

Family Traditions by danitysimmer

More Cross-Stitch Patterns by janesimsten

Cry Mod by simkatu

Endless Grief by simkatu

- Functional Items/CC:

Punkin Patch Kit by zwhsims

Pumpkin Carving Anywhere by srslysims

Archery Skill by janesimsten

Campsite Playhouse by taurusdesign

Functional Halloween Candy Bowl by ohmysims

- Food mods:

Hot Drinks Seasonal Selection by littlbowbub

Hot Chocolate Machine by littlebowbub

Functional Electric Kettle by somik & severinka

Functional Tray for Tea and Coffee by somik & severinka

OnePot by icemunmun

S'more Options by RVSN

- Overrides:

Default Rake Replacement by largetaytertots

Coffee To-Go Cup Override by largetaytertots

Life is Strange Font Replacement by moonwoodmillz

Computer Desktop Override by simkatu

Extended Reading Animation Override by simkatu

Default Remote Replacement by dynamus

Reality Tv Override by themintsimmer

- Reshade/Gshade

White Willow by tianaberrie (video shot with this preset)

Pumpkin Pie by softpine

Primrose by lotusplum

Autumn Kisses by lustrousims

Autumn Preset by lyrascenes

Sweet Candy by tinisims

Azalea by cozybri

[sheena-isa-punkrocker]

i never participated in anything watcher fandom related. but after seeing yall's response to the streaming platform im glad i never did.

majority of you are so disgustingly awful to these three men it's shameful

[kingleedo]

Leedo || [BE ORIGINAL] ONEUS "Baila Conmigo"